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Zeroes – What’s your superpower?

Science fiction

Zeroes – What’s your superpower?

October 27, 2015 by Sheree 1 Comment
If you had a supernatural ability, what would it be?
Not what you’d like it to be, but what it would be?

The fifteen-year-olds in Zeroes didn’t get to choose their abilities. While their powers let them do things others can’t, not all the effects are easy to live with. Ethan (nicknamed Scam), for instance, has a ‘voice’ that talks its way into getting anything he wants when he lets it take over, but it doesn’t take consequences into account. This time, it ends up getting him involved with gangsters and bank robbers, and the police don’t buy his lame explanations.

Though he hasn’t spoken to them since his temper got the better of him last summer, his fellow Zeroes come to his rescue. The fallout of Scam’s interference is the discovery of a new Zero, and she wants them to help find her father.

They’ll be risking more than their group. They’ll be risking their lives.

24756394Zeroes is a young adult novel by three well-established authors, Scott Westerfeld, Margo Lanagan and Deborah Biancotti. It’s fast-paced action, each chapter from the perspective of one the six Zeroes characters, though all written in third person. Though each author wrote from the perspective of two characters, they blend seamlessly.

What holds the narrative together is not just the action but the relationships. All is not well among the Zeroes. They’re a diverse bunch with little in common other than their possession of a strange ability. There’s dissent, there’s friction, there’s sexual tension, all of which provide conflict and interesting places for the characters to go.

On the other hand, around half-way through the book I found myself looking for other things to read. I lost interest for a while; I didn’t feel like finishing it. This was in spite of an excellent plot with plenty of menace to keep the pages turning. It had all the right ingredients, and I really wanted to love this book.

Why wasn’t I engrossed?

After a little thought, the answer was obvious. I didn’t like the Zeroes very much. They’re interesting, complex, well thought out, and definitely flawed as all good characters should be. They’re well written. I just didn’t enjoy being with them. The suspense and ‘need to know’ were outweighed for a while by the need for space away from the characters, the way you sometimes need space away from friends who are irritating you.

If I was a newly discovered Zero they’d asked to join their group, I wouldn’t be keen. They mean well – mostly – but they’re pains in the bum. They’re a smorgasbord of self focus, arrogance, resentment and anger, and even Flicker, the mild-mannered blind girl who can see through other’s eyes, doesn’t have much compassion for her twin sister when their relationship is encroached upon by another Zero.

24885636It was also difficult to get a clear picture of the Zero, Nathan. The others call him Glorious Leader, but it was hard for me to get a handle on the nature of his power. We know it has to do with the attention of crowds, but I found it nebulous until close to the end of the book where we get a small demonstration. His nickname, Bellwether, didn’t help. I’d heard the term but had no idea what it was. I probably should have bitten the bullet and just looked it up, but I was reading a hard copy and e-reading has made me quite lazy. (I eventually looked it up, and it made more sense of Nathan’s power.)

Overall, Zeroes has a great premise, is well-written, fast-paced with a compelling plot, and full of complex, interesting characters. Eventually I picked it backed up again and finished it. The plot brought me back and I wanted to know what happened, specifically to the new girl, Mob. I liked her the most – though she wasn’t the sharpest tool in the Zeroes superpowered shed.

Though I didn’t love Zeroes as much as I wanted to, it’s still a good book. The writing is great, and it certainly wasn’t a book I could leave unfinished indefinitely. I’ll be reading later books in the series, but the events in this one have changed its characters. Hopefully that means they’ll be less irritating.

Details

Zeroes by Scott Westerfeld, Margo Lanagan, & Deborah Biancotti
Allen & Unwin
ISBN: 9781925266955
Published: September 2015

Links

Scott Westerfeld’s webpage
Margo Lanagan’s webpage (called Among Amid While)
Deborah Biancotti’s webpage

Aussie-Author-Challenge-2015-300x264 50Aussie Author Challenge

 

awwsml-2015Australian Women Writers Challenge

 

 

 

 

Posted in: Aussie books, Australian Women Writers, Contemporary, Science fiction, Young Adult Tagged: #aussieauthor, #aww2015, #LoveOzYA, Book review, Books, Contemporary, Deborah Biancotti, Margo Lanagan, Review, Science fiction, Scott Westerfeld, Young Adult

The Harvest by Chuck Wendig

August 20, 2015 by Sheree Leave a Comment
The Harvest* is Chuck Wendig’s third instalment in his Heartland series. If you haven’t read the first book, Under an Empyrean Sky or the second Blightborn, you might want to check out the links to my reviews of those, as there are spoilers to the first two books below.

25122002Cael’s crew has come a long way since we first met them on board the Betty, racing Boyland’s crew to a scavenging site. At the end of Blightborn they’ve been scattered and we left Cael falling to earth from the flotilla Saranyu, sabotaged by the Sleeping Dogs. The beginning of Harvest shows us how his Blight rescues him, cushioning his fall and enabling Esther (aka the Maize Witch) to wrap him into a living cocoon to enable him to heal. Wanda decides she wants to become one of the Blightborn to be like Cael, so Esther infects her with the Blight, thus initiating the transformation of her character for the rest of the book.

We also find that Lane is in charge of the settlement that has sprung up in the ruins of the fallen flotilla, while Rigo is scratching out a meager existence as a beggar in a town on the border of the Heartland. Gwen and Boyland, with the others who escaped the flotilla with them, are hiding on a small farm, living on what they can grow from Balastair’s seeds. It’s a quiet existence that’s destined not to last.

The Empyrean is making its own plans. A new weaponized flotilla is under construction in secret, and a young Empyrean woman has spent the time since the fall of the Saranyu flotilla training a corps of killers. It’s her goal to take back the remains of the Saranyu and avenge all who fell with it – and that means eliminating Cael, Gwen, and all their friends.

17817631The Heartland series is an action packed ride, and The Harvest doesn’t disappoint. The trilogy starts with a focus on Cael, his three friends and his nemesis, Boyland, in the first book, in the small town of Boxelder, and gradually expands to encompass more people, the wider Heartland and the Empyrean flotillas and society. In dystopic tradition, it’s a story of the oppressed rising up against a privileged elite, and it’s heroes are engaging, likable and flawed.

As a conclusion to the series, The Harvest plays out the implications of the Empyrean focus on genetically modified aggressive corn and of the Blight,  and their creator’s role in the Empyrean-Heartland system. Each character is well developed across the trilogy, even some of the minor ones, each experience and choice having its impact, so it’s interesting to look back from the end of The Harvest to see how far Wendig has brought them.

20483018There weren’t many negatives for me, but one is that I’d hoped to discover by the end of the series exactly why the Empyrean elite chose to live in floating cities, given the logistical problems and huge energy consumption that would entail, not to mention the very real threat of disaster. Unfortunately no explanation was ever given. The only other thing was that I felt the climax and resolution in The Harvest is rushed. There’s a final confrontation, then the moment arrives which will change the lives of every Empyrean citizen and Heartlander forever – and it cuts to an epilogue. As epilogues go its a nice touch, but I was a bit peeved not to see the effects happen, or at least start to happen, and only get a scene many years down the track.

Overall it has lots of elements to enjoy, including aggressive crops, cyborg technology, hoverboats on land and human/plant genetic melding to name a few. It also has doses of what it means to be a friend or be in love and how our choices and experiences impact on our relationships.  The age-old story of exploitation of the oppressed by the powerful remains relevant more than ever with western society’s growing gap between the rich and poor and the continuing poverty in so much of the rest of the world.

The Heartland Trilogy is a good sci-fi action read and The Harvest generally finishes it off well – though if there’s ever a movie, I hope there’s a more satisfying final scene.

*I received an e-copy of this book for review through Netgalley

Netgalley badgeDetails
The Harvest: The Heartland Trilogy 3  by Chuck Wendig
Skyscape
ISBN: 978-1477830024
Published:  14 July, 2015

Links:
Under an Empyrean Sky : Heartland 1
Blightborn: Heartland 2
Links: terribleminds - Chuck Wendig’s website

 

 

Posted in: Dystopia, Science fiction, Young Adult Tagged: Book review, Books, Chuck Wendig, Dystopia, Review, Science fiction, Young Adult

Everybody Loves YA Panel #nswwc

July 21, 2015 by Sheree 4 Comments

Speculative Fiction Festival,
NSW Writers Centre #LoveOzYA

It was quite a line up. The NSWWC Festival was a star-studded event with big names in Australian speculative fiction making up every panel. The Young Adult panel was a prime example as we were treated to the collective literary wisdom of Marianne de Pierres, Garth Nix, Richard Harland, Isobelle Carmody and Amie Kaufman.

Richard was the host and he began by introducing the panel and their impressive credentials. He posed a number of questions and each panel member responded. There was plenty to absorb, so what follows is an attempt to capture as much of the excellent advice and insight that poured forth in the session as possible. I’ve done a lot of paraphrasing and it’s not in strict chronological order, as I’ve tried to group similar topics together.

I’ve used the writers first names hereafter, for brevity and because I don’t want to sound like a British boarding school teacher by using just surnames. This isn’t the place for Harry Potter role play. Though… no, no, it’s not.

Everything that follows is gleaned from my notes and memory along with excellent tweets from numerous sources. I’ve also added links and comments, just because I can.

NSWWC YA3

Why is YA so popular, particularly with adults?

This question was thrown at Marianne first. Her response was that it allows those of us past adolescence to revisit that time in our lives, perhaps before life has become difficult or complex, to re-imagine our youth or what our lives could have been like if it had gone in a different direction. YA stories are often about identity, and so they appeal whether we’re in the process of finding our own identity or re-examining it. Young adults are also good bullshit detectors, so authenticity of voice is crucial, and that is inherently appealing in a story.

GN Story is kingYA has won the industry’s attention, said Garth, but we can overthink its popularity. He stressed that people shouldn’t get hung up on categories. Books put on YA shelves provide strong, clear stories with interesting characters, so naturally people other than teenagers are going to want to read them. “Story is king.” The best books always have multiple layers of meaning that can be appreciated at different stages, and can be revisited with a new perspective at a later age.

Richard RH Lit YCpointed out that literature has always been full of young characters going through change. (I  thought of Tom Sawyer, Huck Finn, Tom Brown, Jane Eyre and Holden Caulfield.) “It’s an interesting time of life. Your impressions are stronger than at any other time.” The emphasis on YA in recent years is more about the way books are marketed. The writers came back to marketing a little further on.

“No wonder YA is so popular,” said Isobelle. “Who wants to be an adult when we see what adults have done to our world?” She told us of the 20 year old MP in the UK she watched on Youtube the previous night.

Mhairi Black’s maiden House of Commons speech

This young woman had made her think a lot about YA books. Adults have made such a mess of the world and those in positions of power are behaving in such juvenile ways that there is a yearning, in both young people and those older, to return to ideals that seem far from being lived out in the real world. We crave a clearer sense of values which YA provides, as its characters strive to work out who they are in the world.

Basic motivations are also something that drive Isobelle, striving to understand why people do what they do. She thinks about what famous people were like in their formative years. What was Martin Luther King, Jr. like in school? Was he different to the other kids? What about others who grow up to be shining examples or do horrific things? What formed them? YA resonates with adults because it holds the seeds of who you become.

IC Inside every ageIsobelle is drawn to adolescent POV because they are characters who are growing, changing, becoming, but the core within doesn’t leave the child’s perspective behind. “Inside you is every age you’ve ever been – they don’t die or go away!” If the writing is good enough, it will resurrect the 12 year old inside of you.

Amie reminded us that YA is the literature of transformation, “and we’re all going through transformations, all the time”. Everyone, can identify with YA stories. Good stories are about change, so YA stories are inherently appealing. She said that in her teens she was working out who she was, then in her twenties sAK tranformationhe felt like she was already supposed to have worked it out. She found YA stories still spoke strongly to her then, and perhaps the YA appeal is about exploring who we are no matter our age.

Then Amie discussed how she has found it difficult being told someone doesn’t read fiction because they “don’t read something they can’t learn from”. After the gasps and incredulous laughter died down, from panel and audience alike, Amie said what we all know; in fiction we walk in others shoes, and learn so much about other people and the world that we could never understand from non-fiction.

Can Reading Fiction Improve Empathy? (PsychCentral)
Can Reading a Fictional Story Make You More Empathetic?
(Psychology Today, n
eurobiological emphasis)

Richard pointed out that imagination in itself it incredibly valuable. Einstein, for example, developed his theories of relativity through his ability to imagine. The stimulation of imagination is one of the most important things we can cultivate in our children and young people, and society in general.

Richard found the labelling of speculative fiction as ‘escapist’ fiction, using it as ‘dirty word’, offensive.

“The Life and Times of Harry Houdini,” muttered Garth. Pardon? Oh, escapist fiction. :)

Besides, Richard insisted, what’s wrong with escapism anyway? What’s wrong with games? We learn from games and ‘escapist’ things too. Play is essential for children. Adolescents and adults need to play too.

What Neil Gaiman was told when he asked why China is encouraging science fiction in its population.

Isobel also believes the craving for idealism and clearer values is also a driving factor in the popularity of speculative fiction.

The writers had varying responses to people who liked to tell them they “don’t like fantasy”. Garth: “I don’t like you, either.” (Most popular response.) All agreed that a lot of bias still exists about ‘genre’ fiction. Isobelle thinks many other writers would create great stories if they weren’t afraid of ‘genre’. Garth again re genre bias: “I don’t breathe often but when I do I choose air.”

Being categorized as YA

Story firstAll the writers agreed that the story came first, rather than writing to a category or age group. Richard reiterated that coming-of-age stories have been around for a very long time, but now they’re being collated and called YA for marketing purposes.

YA stands for “Yes, Awesome!” according to Garth. He considers, though, that age targets or genre categories aren’t inescapable ghettos but places booksellers and librarians situate a book that will be most likely to connect with its initial target audience, from which it will, hopefully, spread out to the rest of your potential readership. He quoted Schuster of Simon & Schuster, who said, “The most dangerous disease for a publisher is a hardening of the categories.” He also advised that writers of YA should make sure potential agents and publishers GN Yes Awesomeare interested in YA and have experience and expertise in it, as opposed to only being interested in its selling potential.

Don’t let categories determine what you write or what you read. Amie advises we should all read across genres & age groups as a matter of course, as we’ll learn from other genres, whether crime, romance, thriller, literary, or whatever. There will be aspects of all of them that will improve your own writing.

Sex, Drugs and Violence in YA

Concerning sex and drug use in one of Marianne’s books, she was told by an overseas publisher that “teenagers weren’t interested” in those things. (???)

Amie noted that when she was in high school, the John Marsden books in the library would always fall open at certain well-worn pages. (That makes more sense.)

GN Adult in YA“People forget the ‘adult’ in Young Adult,” Garth said in relation to gatekeeping in YA, and many don’t discern between Children’s and YA. These aren’t books for kids. If those things are part of your story, you should use them to tell the story.

One of the writers (Amie?) had an overseas editor ask about sex scenes in a book, and was concerned that one occurred. When she explained the scene was one of violence, there was no problem. All agreed how bizarre the value system is, to accept a scene of violent sex in preference over consensual, pleasurable sex.

Garth was proud when one of his books was banned due in the U.S. It was due to coarse language, strangely citing many words that didn’t occur in the book. He advises, though, that the forces who come out to bat for challenged books are usually more powerful than those who try to ban them.

He then advised that if you’re going use swearing in your book, don’t make it on the first page, as that seemed to be the trouble with his book. Amie helpfully informed us that it won’t be a problem if you can postpone it until after the first 50 pages. It seems the automated scanning for such things stops at page 50. I’m wondering if all authors start using this information, will the scanning algorithm be changed to random pages? There has to be a librarian joke in that, but I’d better not go there …

Isobelle: “I have to admit, one of my proudest moments was having one of my books burned.” It was a European town which she later visited. Ah, fandom.

My quote award goes to Garth Nix, who provided so many succinct quotes over the day, for this:

GN Banned

Many thanks to Festival Director Cat Sparks for an excellent day, and the staff of the NSW Writers Centre for all their work. Thanks also to all the tweeters who captured so much of the wisdom of the day, especially Tehani Wessely who storified the day’s tweets, which you can find here.

If I’ve left things out or made any mistakes, please add them in the comments.

Links: Websites

Marianne de Pierres
Garth Nix
Richard Harland
Isobelle Carmody
Amie Kaufman
NSW Writers Centre

Posted in: Aussie books, Aussie setting, Dystopia, Fantasy, Science fiction, Writers Festival Book, Young Adult Tagged: #aussieauthor, Aussie setting, Books, Dystopia, Fantasy, Garth Nix, Myth, Paranormal, Science fiction, Young Adult

Why I don’t give star ratings for book reviews

July 2, 2015 by Sheree 6 Comments

I know it’s accepted. I know it’s expected. I also know a creative work with the complexity of a novel can’t possibly be reduced to a five point rating scale.

300px-Star .svgI’m not saying other people shouldn’t use them. It’s the standard convention, and it seems to be what’s expected of reviewers. I’m just saying I have a lot of trouble with assigning them, so I avoid them if I can.

What does three or four stars mean, anyway? “I liked this book, but not as much as other books I’ve read.” Maybe. It doesn’t say anything about what I liked or didn’t like about it, whether I thought the language was beautiful or verbose, if the plot was well structured, whether it was paced skillfully or if the tone was uneven and confusing. A star rating says nothing about whether the characters were rounded and believable, too perfect or too evil, inconsistent or grew with the story arc.

Giving a rating also says nothing about whether a book is within my usual reading preferences or if I’ve stepped out to try something else, which can have a huge impact on my response to it. I’ve known some people to be blown away by the ‘amazing’ concepts of a literary novel with a smattering of science fiction, which were standard tropes in sci-fi twenty years ago. The reverse is also true, that those not used to the conventions of a genre can dismiss a novel out of hand because they don’t understand what the author is getting at in the first couple of chapters.

If I review a novel, my reasons for liking or disliking aspects of it can be just as important as how I respond to it. I’m unlikely to review a slasher horror novel because I don’t like reading that material, but if I did it would be unfair for me to give it a star rating out of five. I know – before reading it – I’d be unlikely to enjoy it, so while it might be an excellent slasher horror novel, it couldn’t get an honest high star rating from me.

We all respond to stories differently, and have different preferences. When I read a review I find the most interesting things are the details of the reviewer’s response to the novel. Do they think it was well written? What did they think of the characterization? The plot? Were there particular things they liked or didn’t like? Was this a typical genre for them, or a stretch? If not typical, does it encourage them to read more like this?

A star rating tells me none of this. I look at books I’ve read, and the thought of trying to reduce them to a number out of five makes me incredibly sad. I hate the thought of reducing the countless hours of imagination, toil and angst their authors have put into those words down into a number of stars.

Imagine if we did this with visual art. You would go into a gallery, and before each work everyone was able to write a review, and give the painting, sculpture or other artwork a rating out of five stars. It would be averaged and the rating displayed alongside the details of the piece. Perhaps the Archibald Prize People’s Choice Award would be the 300px-Star .svgone with the highest average stars. Of course, we could extend it backwards and give a star rating to the masters; Monet and Van Gogh, Raphael, Michelangelo, Da Vinci …

Okay, maybe that’s going too far, but you see the point. Novels, good novels, can’t be reduced to a five point scale any more than works of art can be. So, I’m going to stick to reviewing without stars.

Posted in: Adult Fiction, Aussie books, Australian Women Writers, Literary Fiction, Reading, Writers Festival Book, Young Adult Tagged: #aussieauthor, #aww2015, Adult fiction, Book review, Books, Fantasy, Literary, Novels, Reading, Review, Science fiction, Young Adult

Blightborn: Heartland 2

June 30, 2015 by Sheree 1 Comment

The second of Chuck Wendig’s dystopian YA keeps the action going, and reveals that a floating city isn’t always the paradise the Heartlanders were led to believe.

20483018Gwennie and her family have been whisked away to a flotilla after winning the Heartland Lottery. Instead of being rich and feted, though, they’ve been separated and forced to worked at difficult, menial jobs. Mucking out stables is better than other alternatives Gwennie had been slated for, but still she doesn’t even know where the rest of her family is. When she has to dress up to attend a party and spies Cael’s sister, why doesn’t Merelda even acknowledge her? It seems the flotilla is a dangerous place to be.

Cael, Lane and Rigo, declared outlaws, have taken off via a raft on rail lines to find the flotilla and bring Gwennie back. There are more dangers in the cornfields than they anticipated, though, and it’s hard to tell friend from foe. When Cael finds himself changing, who can he count on? Will his old friends stick by him?

Back in Boxelder the Empyrean Proctor is stuck trying to clean up the mess they left behind. She enlists Boyland, Wanda, and Rigo’s father into a posse to track down Cael and his friends. What happens when – if – they find their quarry? Whose interests will prevail?

Wendig keeps the pressure bubbling in Blightborn,* the second installment of the Heartland trilogy. It’s not unexpected that the flotillas are subject to political and social pressures, with their own hierarchies, social classes and slums, but it’s handled well. The mechanics of the flotilla and their level of science and technology are not explained in detail, but plenty is given to be believable and for the story to work.

The complications that arise for Cael, Lane and Rigo are new, though the groundwork for them was built into the first of the trilogy, Under the Empyrean Sky. It’s satisfying to see the threads from the first book being woven into this one.

I only have a couple of minor disappointments. The main one is that we still don’t know why the Empyreans took to the sky in the first place. It seems a huge and difficult undertaking not to be explained. We also don’t know why they don’t allow the Heartlanders to grow their own food. In the first book there was a specific mention of destroying fruit trees which remained blackened, so obviously the land wasn’t used for growing corn. I would think it would make sense to keep your manual labour force healthy with cheap food; maybe the ration stuff is cheaper, but it’s not explained.

I was a little disappointed that Cael’s father doesn’t make an appearance in Blightborn, though I can see that to include him in an already complicated narrative would have been difficult and probably lengthened it excessively. Hopefully his story arc will be completed in The Harvest: Heartland 3.

The last thing is that I kept thinking that surely somebody on these flotillas would have a social conscience, that some of the privileged would think it wrong to treat the Heartlanders so harshly. There is one character who has sympathy for Gwennie, but I would have liked a streak running through the flotilla. Just my thoughts.

Blightborn is a good second installment. It keeps the action going as its characters grow and change because of their choices and experiences. The momentum of the trilogy is on track, but at the same time Blightborn completes its own story arc with a decent resolution. There are some questions left that need answering, so I’m looking forward to reading the final book, The Harvest.

*I received an e-copy of this book for review through Netgalley Netgalley badge

Details

Blightborn: The Heartland Trilogy Book 2
by Chuck Wendig
Skyscape
ISBN: 9781477817209
Publication: 14 July 2015

Links: terribleminds - Chuck Wendig’s website

 

Posted in: Adult Fiction, Dystopia, Science fiction, Young Adult Tagged: Adult fiction, Book review, Books, Chuck Wendig, Dystopia, Review, Science fiction, Young Adult

Under the Empyrean Sky: Heartland 1

June 21, 2015 by Sheree 3 Comments

Hoverboats on land, aggressive plants and an oppressive regime. Chuck Wendig delivers a rural dystopia with plenty of action in the first of his Heartland trilogy.

Cael and his hoverboat crew of three scavenge on plains of genetically modified corn, an inedible strain so aggressive it wraps around anything standing still. He’s determined to help his family, to get ahead, but everyone in the Heartland has to scrounge just to manage a tolerable existence. Ruled by the elite Empyrean living in luxury in floating cities, the odds are always stacked against them; they’re even forbidden to grow their own food.

17817631Some people in the Heartlands do better than others, though. The mayor’s Empyrean connections ensure his family gets more than their share of everything, and his son’s scavenger crew cheat their way to the best loot – even if that means wrecking Cael’s boat.

Cael and his crew – Lane, Rigo and Gwennie – have stuck together all their lives. But he’s trying not think about the upcoming Harvest Home Festival, when all seventeen year-olds will be matched with their government-appointed betrothed, to be married in one year. Cael and Gwennie are in love; what will they do if they’re not matched?

He and his friends have to find a way to get past the restrictions places on them. How can Cael keep living in a world that could take everything he cares about away from him?

Under the Empyrean Sky* is the first book in Chuck Wendig’s young adult Heartland trilogy. It’s a fast-paced story of a group of teenagers caught in a system stacked against them.

It’s primarily Cael’s story. He drives the action and we’re shown his motivations, so we understand why he’s impulsive and willing to risk so much. Though the characters of his friends, Lane and Rigo, are not as well developed, both have backgrounds and traits that more than justify their willingness to follow Cael into danger.

A few things remain unexplained about Empyrean rule, such as why they don’t allow Heartlanders to grow fruit and vegetables, or why they live in floating cities. As this is only the first book in a trilogy, perhaps more will be revealed in later books.

At times this novel evokes frustration, not with the story but in the story, as time and again Cael, his friends and his family suffer the injustices of Empyrean rule, either through his home town’s authorities or directly. Wendig throws one thing after another at them, and on occasion one could be forgiven for mistaking it for Lemony Snicket’s ‘A Series of Unfortunate Events’.

Perhaps what I found most difficult about the injustices in this story, though, is that although the setting is a fictional dystopia, the control and conditions the people live in are all too common in the real world. There are many places where people have no choice in where they live, the work they do, what they eat, or who they marry. They have arbitrary laws imposed on them and are arrested for disagreeing with the state. Though no one could really understand what that’s like unless they’d been through it, Wendig’s Heartland evokes a sense of the hopelessness and desperation that living in such a society could induce.

Cael and his friends, though, have hope. There are surprises. There are victories. Ultimately they won’t sit back and take the life the Empyrean overlords hand out. And they might even get away with it.

Under the Empyrean Sky is a great read. This book finishes with a satisfying resolution, though there is clearly much more of the story to tell in Books 2 and 3. I’m looking forward to the rest of the series.

*I received an e-copy of this book for review through Netgalley Netgalley badge

Under the Empyrean Sky: The Heartland Trilogy Book 1
by Chuck Wendig
Skyscape: 2013. ISBN: 9781477817209

Links: terribleminds - Chuck Wendig’s website

Posted in: Dystopia, Rural, Science fiction, Young Adult Tagged: Book review, Books, Chuck Wendig, Dystopia, Science fiction, Young Adult

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